Instagram poetry has made writers like Rupi Kaur and Donna Ashworth rise to stardom, amassing thousands of followers and earning them quite a bit of money.
As a subgenre of poetry, it combines self-help, reflections on romantic relationships, identity and plain language to create poems that users can quickly grasp and share through hashtags like #instapoetry. Visually, Instapoetry is often accompanied by drawings, uses typewritten fonts and has an overall lack of capitalisation and punctuation.
If you like Instapoetry, you've likely heard all the arguments for why it's an unserious sub-genre that shouldn't be seen as “real” poetry. However, its popularity and its boost to overall poetry sales should be taken more seriously by the establishment – as should young people's love of it. [...]
The success of Kaur and several other Instapoets has been linked by the publishing industry to a general increase in poetry sales, driven partly by young people.
Key to Instapoetry's appeal is its accessibility. Instagram enables direct communication between the author and readers, who use the comment section to express their responses to the poem and communicate with each other, creating a community – or at least the sense of one.
The community of Instapoetry-readers is fundamental for the poets. The more interaction their posts or poems receive, the more the content and artwork will be spread.