When Chuck D of Public Enemy famously called hip-hop “the Black CNN,” he was touching on a uni- versal truth that goes beyond genre: Music and protest have always been inextricably linked. For some marginalized groups, the simple act of creating music at all can be a form of speaking out against an unjust world. [...]
Rap was still a fringe art form largely confined to the streets of New York City when Grandmaster Flash and the Furious Five dropped “The Message” in the summer of 1982. Unlike the handful of earlier rap songs that had pierced the public's consciousness at that point, like “Rapper's Delight,” this one packed a serious political point. “It's like a jungle sometimes,” Duke Bootee raps at the beginning. “It makes me wonder how I keep from goin' under.” The song then paints a bleak portrait of urban blight, failing inner-city schools, the prison-industrial complex, and how all that fuels an endless cycle of violence and despair. Nobody had ever heard anything like this, and it sent shockwaves across the music industry. Rap was suddenly a mainstream art form and a means to convey crucial political messages.