Across Ireland, English is playing second fiddle to Irish in emerging arts scenes. Even though fewer than 2% of the population speak it daily, Irish is hip; the preferred language of young poets at bilingual spoken-word nights such as REIC (which Ní É runs) or Seanchoíche (meaning storytelling). It is being blared out in metal, techno and hip-hop. [...]
Irish culture has always travelled well but there is a remarkable confidence in it right now. The big progressive gains of the past decade from referendums on equal marriage and abortion, plus the receding of painful theocratic and political histories, have fostered a space for artists, and a young generation to shape a new kind of national identity. [...]
Artists are drawn to Irish because it feels so box-fresh. Irish language music can be wildly experimental; hip-hop from Kerry-based rapper Súil Amháin, progressive metal like west Cork's Corr Mhóna or the Belfast-based Huartan's “tradtronica”, traditional songs set to electronica. “When you're writing music [in English], you feel like you're doing something that's already happened,” says Cian Mac Cárthaigh, founder of the IMLÉ collective, which blends electronica and R&B in the first language. “With Irish, there's so many ways to say the same thing. The language is so rich, and depending on who is singing it, it can be totally different. I feel a kind of freedom in Irish.”
Irish language music is still pigeonholed, says Mac Cárthaigh, with airplay still reserved for special occasions like St Patrick's Day. But internationally, the appetite for minority language art is changing. IMLÉ soundtrack a Netflix show out later this year and the collective's latest U.S. and European tour dates have drawn a diverse crowd, not just Irish abroad supporting a band from home. [...] Local Eurovision fans have been encouraging IMLÉ to enter the competition, in the hope an Irish language entry would stand out. “If the music is good it will translate,” says Mác Carthaigh, who doesn't rule out a run in 2025.