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Axe 1 - Espace privé et espace public
Axe 2 - Territoire et mémoire
Axe 3 - Fictions et réalités
Axe 4 - Enjeux et formes de la communication
Axe 5 - Citoyenneté et mondes virtuels
Axe 6 - Le Royaume-Uni et ses nations
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Unit 4
Book Club

The Yield

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The Yield

The Yield is a novel that weaves together three voices to tell the story of the Gondiwindi family and their connection to their ancestral land. At the heart of the book is a dictionary of Wiradjuri words written by Albert Gondiwindi, an Elder who wants to preserve the language and pass on the stories of his Country. Through this dictionary, and through the voices of his granddaughter and a historical missionary, the novel explores themes of land rights, cultural survival, and the power of language.

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Texte


 I was born on Ngurambang – can you hear it? – Ngu–ram–bang. If you say it right it hits the back of your mouth and you should taste blood in your words. Every person around should learn the word for country in the old language, the first language – because that is the way to all time, to time travel! You can go all the way back. [...]
 It was my wife, Elsie, who bought me the first dictionary. I think she knew she was planting a seed, germinating something inside me when she did that. What a companion the dictionary is – there are stories in that book that'll knock your boots off. To this day it remains my prized possession, and I wouldn't trade it for all the tea in China.
 The dictionary from Elsie is why I'm writing it down – it was my introduction to the idea of recording, written just like the Reverend once wrote the births and baptisms at the Mission, like the station manager wrote rations at the Station, and just like the ma'ams and masters wrote our good behavior at the Boys' Home – a list of words any fool can look up and be told the meaning. A dictionary, even if this language isn't mine alone, even if it's something we grow into and then, living long enough, shrink away from. I am writing because the spirits are urging me to remember, and because the town needs to know that I remember, they need to know now more than ever before.
 To begin – but there are too many beginnings for us Gondiwindi – that's what we were bestowed and cursed with by the same shifty magic – an eternal Once upon a time. The story goes that the church brought time to us, and the church, if you let it, will take it away. I'm writing about the other time, though, deep time. This is a big, big story. The big stuff goes forever, time ropes and loops and is never straight, that's the real story of time.
 The problem now facing my own Once upon a time is that Doctor Shah from the High Street Surgery has recently given me a filthy bill of health – cancer of the pancreas – which is me done and dusted.
 So, because they say it is urgent, because I've got the church time against me, I'm taking pen to paper to pass on everything that was ever remembered.
 All the words I found on the wind. [...]

yarran tree, spearwood tree, or hickory acacia – yarrany The dictionary is not just words – there are little stories in those pages too. After years with the second great book, I figured out the best way to read it. First time, I went in like reading the Bible, front to back. Aa words first – there you find Aaron, and him in the Book of Exodus, brother of Moses, founder of Jewish priesthood. Aardvark – that animal with a tube nose that eats the ants of Africa. [...]
 You could keep reading the dictionary that way – front to back, straight as a dart – or you can get to aardvark and then skip to Africa, then skip to continent, then skip to nations, then skip to colonialism, then skip over to empire, then skip back to apartheid in the section – that happened in South Africa. Another story. When I was on the letter W in the Oxford English Dictionary, wiray would be in that section, it means “no.” Wiray wasn't there though, but I thought I'd make it there. Wheat was there, but when I skipped ahead not our word for wheat – not yura. So I thought I'd make my own list of words. We don't have a Z word in our alphabet, I reckon, so I thought I'd start backward, a nod to the backward whitefella world I grew up in, start at Y – yarrany. So that is the once upon a time for you. [...]

where is your country? – dhaganhu ngurambang? The question is not really about a place on the map. When our people say Where is your country, they are asking something deeper. Who is your family? Who are you related to? Are we related?
 There's a story I read about someone who wanted to build a map that was the scale 1:1 so that the map covered all the oceans and all the mountains and land at its true size. That made the girls laugh when I told them – imagine walking underneath and holding the thing above your head in the dark? That's a little what a map does, takes the light out so you can't see. The map isn't the thing, this country is made of impossible distances, places you can only reach by time travel. By speaking our language, by singing the mountains into existence.
Tara June Winch, The Yield, 2019.
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a) What does his native language mean to the narrator?
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b) How does he feel about the dictionary?
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c) What do we learn about his childhood here?
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d) What are the two types of time described? Which one does the narrator want to write about?
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e) What motivates him to start writing now?
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f) Why does he start with this word?
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g) How can the dictionary be read in different ways?
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h) What words were missing? What did the narrator decide to do about it?
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i) What is the deeper meaning of the question “Where is your country?”?
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j) What kind of map is imagined in this story?
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k) What power do words have?
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The author and her work

Tara June Winch is an Australian writer, born in Wollongong in 1983. Her father is from Wiradjuri Country in western New South Wales. Her work often centres on First Nations perspectives and stories. Her first novel, Swallow the Air, was published in 2006 and received critical acclaim for its vivid language. She is the 2020 winner of the prestigious Miles Franklin Award, which honours novels that capture the essence of Australian reality, for her third novel The Yield.

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Over to you!

Where is your Country?
How would you answer this question if you were writing your own dictionary? Choose one word that represents where you come from and write a personal dictionary entry. You can talk about family, memories, places, languages, or people who make you feel at home. Is your Country only a place on a map, or something deeper?

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